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Grotesque typeface3/28/2023 ![]() ![]() The Vox classifications can be used in combination. Miguel Catopodis, in the ATypI forum, proposed that the full 1962 Vox-AtypI classification needed to be uploaded and made more widely available, because the schema is still an easy resource for many students to understand how typefaces could be classified. ![]() But large numbers of slab serif types, clarendons or ionics (that is bracketed slab serifs) and egyptians (that is square-ended, unbracketed slab serifs) are simply grouped together." Dixon challenges the prevalent focus on roman types as being dated, saying "distinctions between text and display are now increasingly irrelevant, with the greater subtlety that has been introduced into sans serifs and slab serif designs, leading to a wider application of such types for text purposes." Dixon's conclusion is that these systems have remained unchanged since 1967, and thus many contemporary typefaces render these systems inadequate. As an example, Dixon notes that in these classification systems "'humanist' types are formally distinguished from 'garalde', even though the formal differences are very subtle and such a distinction is only appropriate for very few types. Criticisms Ĭatherine Dixon, in a 2002 paper, criticized both the Vox and British Standard categories for favoring roman typefaces over display typefaces, which derives from early twentieth century design culture. ![]() English printers traditionally called these exotics. This heterogeneous family, not included in the original 9 Vox groups, gathers (without distinction of style) all writing systems not based on the Latin alphabet: Greek, Cyrillic, Hebrew, Arabic, Chinese, Korean etc. In other classification systems, this group is often referred to as "oldstyle." The classicals can be broken down into humanist, Garald, and transitional categories, and are characterized by triangular serifs, oblique axis, and low stroke contrast. Although the Vox-ATypI classification defines archetypes of typefaces, many typefaces can exhibit the characteristics of more than one class.Īt the 2010 ATypI general meeting, the association voted to make a minor amendment to add Gaelic to the calligraphic group in the Vox-ATypI classification, to state that the Vox-ATypI system was seriously flawed, and to create a new working group on typeface classification. Vox proposed a nine-type classification which tends to group typefaces according to their main characteristics, often typical of a particular century (15th, 16th, 17th, 18th, 19th, 20th century), based on a number of formal criteria: downstroke and upstroke, forms of serifs, stroke axis, x-height, etc. On April 27, 2021, ATypI announced that they had de-adopted the system, and that they were establishing a working group building towards a new, larger system incorporating the different scripts of the world. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces (BS 2961:1967), which is a very basic interpretation and adaptation/modification of the earlier Vox-ATypI classification. In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. ( June 2017) ( Learn how and when to remove this template message) Please help to improve this article by introducing more precise citations. This article includes a list of general references, but it lacks sufficient corresponding inline citations. ![]()
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